Tuesday, March 27, 2018
Angels in America Final Project Slide Example
Here is a link to a sample of how the slides should be constructed. Your name and the theme you work with is on the first slide, and the other seven slides have the quote at the top, the page number, your image, and how the image goes with the quote.
Thursday, March 22, 2018
Angels in America Final Project
Over
the past few weeks, we have read all of “Angels in America,” and our approach
to the play has largely centered theme.
Your final project will be a reflection of this focus. Your task is to choose a
theme from the text, find and cite seven instances of it in the text, and
choose seven images (one for each instance) to (metaphorically or symbolically) represent the way the theme
operates in the quote. You will have all of next week to work on it, and you
will also be able to work on it tomorrow if you are here. If you are going to be absent for any reason, it is your responsibility
to keep up with the assignment. The
final product is due midnight on Wednesday, March 28th. After
midnight on Wednesday, it will be considered late and will be worth reduced
credit.
Here
is the structure we will use to organize this project:
-You
will select a theme from the play to work with as soon as you can decide on
one.
-You
will have tomorrow and Monday to use the graphic organizer included with these
instructions to find seven places where the theme you select appears in the
text. You will be writing down the quote that demonstrates the theme and what
page it is on.
-You
will have Tuesday and Wednesday to use the Chromebooks in class to find images
that you feel represent (metaphorically
or symbolically) your theme in each of your seven passages. This means that
you should end with seven images. On each slide, you will use the presentation
notes function to write a two- to three-sentence analysis statement of why or how
your image relates to the aligned quote.
-You
will, on Wednesday or as you go along, put the images you find into a Google
Slides presentation that you will share with me. My email is nwhite5@u.rochester.edu . Specific
guidelines for what these slides include can be found in the rubric.
-On
Thursday, we will look at and talk about some of the images included in your
presentations.
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5
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4
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3
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2
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1
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Quote
Selection
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Quotes
are all from different scenes and clearly reflect the chosen theme. Exact
quotations are used, and page numbers are cited.
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Quotes
are all from different scenes and mostly reflect the chosen theme. Exact quotations
are used, but page numbers may not be cited.
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Quotes
are all from different scenes and loosely reflect the chosen theme. Exact
quotations may not be used, and page numbers may not be cited.
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Quotes
are not all from different scenes, and their relationship to the chosen theme
is vague. Exact quotations may not be used, and page numbers may not be
cited.
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Quotes
are not all from different scenes, and they have no apparent relationship to
the chosen theme. Exact quotations are not used and page numbers are not
cited.
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Image
Selection
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Each
image has a clear metaphoric or symbolic representation of the quote it
relates to, as described by the presentation notes.
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Each
image mostly has a metaphoric or symbolic representation of the quote it
relates to, as described by the presentation notes.
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Each
image loosely has a metaphoric or symbolic representation of the quote it
relates to, as described by the presentation notes.
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Each
image has a vague metaphoric or symbolic representation of the quote it
relates to, as described by the presentation notes.
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Each
image has no apparent relation to the quote it is aligned with. Presentation
notes may not be used.
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Slide
Construction
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Each
slide has the quote at the top of the slide, the image below it and taking up
the rest of the frame, no other text on the slide, and the background is not
plain white.
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One
of the slide requirements is not met.
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Two
of the slide requirements are not met.
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Three
of the slide requirements are not met.
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None
of the slide requirements are met.
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Timeliness
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All
work is submitted in a timely fashion, either by midnight on Wednesday or by
a mutually agreed-upon alternative.
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Graphic Organizer:
The
theme I am working with is ______________________________.
Quote
One:
Page:
______
Quote
Two:
Page:
______
Quote
Three:
Page:
______
Quote
Four:
Page:
______
Quote
Five:
Page:
______
Quote
Six:
Page:
______
Quote
Seven:
Page:
______
Wednesday, March 21, 2018
Angels in America Act Three, Scenes Five and Six
Here is the link to today's presentation. Your homework for tomorrow is to read the final scene of the play, Act Three, Scene Seven. Tomorrow will be a review day for the in-class writing that will end the third act. We will also introduce the unit-ending project, which we will work on in class next week and which is due Thursday, March 29th.
Tuesday, March 20, 2018
Angels in America Act Three, Scenes Two, Three, and Four
Here is the link to today's presentation. Your homework is to finish the packet distributed in class and to read Act Three, Scenes Five and Six.
Monday, March 19, 2018
Angels in America Act Three, Scenes One and Two
Here is the link to today's presentation. For tomorrow, read Scenes Three and Four of Act Three. The question we did as our end-of-class writing is:
Choose either the theme of inheritance from Scene One or the theme of guilt from Scene Two. How does the return of this theme expand upon a previous time it has appeared in the play? A complete answer will explain how the chosen theme works in the chosen scene from earlier in the play and compare it to how it works in Act Three and will be three to five sentences.
Choose either the theme of inheritance from Scene One or the theme of guilt from Scene Two. How does the return of this theme expand upon a previous time it has appeared in the play? A complete answer will explain how the chosen theme works in the chosen scene from earlier in the play and compare it to how it works in Act Three and will be three to five sentences.
Friday, March 16, 2018
Angels in America Full Script
Here is a link to a PDF of the entire script of Angels in America. You may use it in class for today's writing assignment, and you may print your own copy if you have lost yours. Several people have expressed interest in reading Part Two of the play ("Perestroika"); the script for both parts is included in this file. We will not be doing Part Two in class, but you are free to read it on your own time.
Angels in America Act Two Free Write
Using your copy of the play, respond to one of the following questions. Begin with an MLA heading. Make sure your response contains a clear thesis statement. Use only size 12 font and Times New Roman. Weave evidence into your response. Don't forget a concluding sentence. Length: approximately 150 well-written words. Check for language conventions: spelling, capitalization and punctuation. My email is nwhite5@u.rochester.edu .
1. Is Joe a good person? Why or why not?
2. How does Scene One foreshadow Louis’ actions?
3. Choose EITHER Louis and Prior OR Harper and Joe. What are two moments of apocalypse they experience in Act Two? A complete answer will address these moments as they relate to both senses of "apocalypse" ("revealing" and "destroying"), as discussed in class.
4. What does Scene Nine demonstrate about the function of split scenes in the play?
If you are in class and do not receive extended time, it is due at the end of the class. If you are not in class or if you receive extended time, it is due Monday.
For Monday, please read Act Three, Scenes One and Two. Scene Two is the longest scene of the play, so please plan accordingly.
1. Is Joe a good person? Why or why not?
2. How does Scene One foreshadow Louis’ actions?
3. Choose EITHER Louis and Prior OR Harper and Joe. What are two moments of apocalypse they experience in Act Two? A complete answer will address these moments as they relate to both senses of "apocalypse" ("revealing" and "destroying"), as discussed in class.
4. What does Scene Nine demonstrate about the function of split scenes in the play?
If you are in class and do not receive extended time, it is due at the end of the class. If you are not in class or if you receive extended time, it is due Monday.
For Monday, please read Act Three, Scenes One and Two. Scene Two is the longest scene of the play, so please plan accordingly.
Thursday, March 15, 2018
Angels in America Act Two, Scene Ten and Review
Here is the presentation for today. Tomorrow is a free write on one of the prompts. All of the prompts are in the presentation, and we have gone over them in class today.
If you are not here tomorrow, it is your responsibility to do it independently over the weekend, either handwritten or typed. It is due at the start of class on Monday if you are not here, or at the end of class tomorrow if you are here and do not receive extended time.
Here are the instructions and expectations:
Using your copy of the play, respond to one of the following questions. Begin with an MLA heading. Make sure your response contains a clear thesis statement. Use only size 12 font and Times New Roman. Weave evidence into your response. Don't forget a concluding sentence. Length: approximately 150 well-written words. Check for language conventions: spelling, capitalization and punctuation.
My email address is nwhite5@u.rochester.edu if you are doing it electronically.
If you are not here tomorrow, it is your responsibility to do it independently over the weekend, either handwritten or typed. It is due at the start of class on Monday if you are not here, or at the end of class tomorrow if you are here and do not receive extended time.
Here are the instructions and expectations:
Using your copy of the play, respond to one of the following questions. Begin with an MLA heading. Make sure your response contains a clear thesis statement. Use only size 12 font and Times New Roman. Weave evidence into your response. Don't forget a concluding sentence. Length: approximately 150 well-written words. Check for language conventions: spelling, capitalization and punctuation.
My email address is nwhite5@u.rochester.edu if you are doing it electronically.
Wednesday, March 14, 2018
Angels in America Act Two, Scenes Eight and Nine
Here is a link to today's presentation. There is a free write at the end of class, and for tomorrow you are only responsible for reading scene ten. We will not have a writing prompt tomorrow because we will be reviewing act two to prepare for a longer free write on Friday.
Tuesday, March 13, 2018
Angels in America Act Two, Scenes Six and Seven
Here is the presentation for today's class. Today was the trial run of an end-of-period free-write instead of a start-of-period quiz. Your homework is to read scenes eight and nine.
Monday, March 12, 2018
Angels in America Act Two, Scenes Four and Five
Here is the link for today's presentation. There is no reading quiz for today. Your homework is to read scenes six and seven for tomorrow.
Friday, March 9, 2018
Angels in America Act Two, Scenes Two and Three
Here is the link to today's presentation. We have a reading quiz today on scenes two and three from act two, and the homework is to read scenes four and five and be ready for a reading quiz at the beginning of next class.
Thursday, March 8, 2018
Angels in America Act One In-Class Mini-Project
Today, we will be working on a mini-project to conclude Act One. You will need a Chromebook. You may use headphones if you have them. We will review the instructions and the rubric, and the rest of the class is yours. It is due at the end of class unless you receive extended time, in which case it is due at midnight. My email is nwhite5@u.rochester.edu
Below is a list of three songs, a link to YouTube videos of them, and a link to their lyrics. Choose one of these songs and, weaving in textual evidence from both the song's lyrics and the text of the play, connect it to one of the four main characters: Prior, Louis, Joe, or Harper. If you do not have headphones, you may read the lyrics. If you have headphones, you may listen to the song as you read along with the lyrics. You may not share headphones. This is an individual assignment.
A complete response will be 100-200 words and include an MLA heading and a conclusion. The full rubric is posted below.
For tomorrow, read Act Two, Scenes Two and Three.
Song list:
"Let You Down" -- NF
Song link
Lyrics link
"Before You Start Your Day" -- twenty | one | pilots
Song link
Lyrics link
"Losing to You" -- Stars
Song link (Note: lyrics end at 4:14)
Lyrics link
Below is a list of three songs, a link to YouTube videos of them, and a link to their lyrics. Choose one of these songs and, weaving in textual evidence from both the song's lyrics and the text of the play, connect it to one of the four main characters: Prior, Louis, Joe, or Harper. If you do not have headphones, you may read the lyrics. If you have headphones, you may listen to the song as you read along with the lyrics. You may not share headphones. This is an individual assignment.
A complete response will be 100-200 words and include an MLA heading and a conclusion. The full rubric is posted below.
For tomorrow, read Act Two, Scenes Two and Three.
Song list:
"Let You Down" -- NF
Song link
Lyrics link
"Before You Start Your Day" -- twenty | one | pilots
Song link
Lyrics link
"Losing to You" -- Stars
Song link (Note: lyrics end at 4:14)
Lyrics link
Description
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5
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4
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3
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2
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1
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Claim:
The response makes a clear, arguable claim that can be supported by evidence.
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The
text introduces a compelling claim that is clearly arguable and presents a
purposeful position on the prompt, and the response is structured to support
the claim.
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The
text introduces a precise claim that is clearly arguable and takes an
identifiable position on the prompt, using an effective structure aligned
with the claim.
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The
text introduces a claim that is arguable and takes a position, using a
structure aligned with the claim.
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The
text contains an unclear or emerging claim that suggests a vague position,
and attempts a structure and organization to support the position.
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The
text contains an unidentifiable claim or vague position, and has limited
structure and organization.
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Development:
The response provides sufficient evidence to back up the claim and a
conclusion supporting the argument.
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The
text provides convincing and relevant textual evidence to back up the claim.
The conclusion strengthens the claim and evidence.
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The
text provides sufficient and relevant textual evidence to back up the claim.
The conclusion effectively reinforces the claim and evidence.
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The
text provides sufficient textual evidence to back up the claim. The
conclusion ties to the claim and evidence.
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The
text provides textual evidence that attempts to back up the claim. The
conclusion merely restates the position.
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The
text contains limited textual evidence related to the claim. The text may
fail to conclude the argument or position.
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Cohesion:
The response uses words, phrases, and clauses to link major sections of the
text, creates cohesion, and links the claim to the evidence.
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The
text strategically uses words, phrases, and clauses to link major sections of
the text. The text identifies the relationship between the claim and the
textual evidence.
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The
text skillfully uses words, phrases, and clauses to link major sections of
the text. The text identifies the relationship between the claim and the
textual evidence.
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The
text uses words, phrases, and clauses to link major sections of the text. The
text connects the claim and the reasons.
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The
text contains limited words, phrases, and clauses to link the major sections
of the text. The text attempts to connect the claim and reasons.
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The
text contains few, if any, phrases and clauses to link the major sections of
the text. The text does not connect the claims and reasons.
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Style
and Conventions: The response uses academic English, including proper
grammar, spelling, and word usage, and has a properly formatted MLA heading.
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The
text presents an engaging, formal, and objective tone, intentionally using
academic English conventions of usage and mechanics along with an MLA heading.
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The
text presents an appropriate, formal, and objective tone, demonstrating
academic English conventions of usage and mechanics along with an MLA
heading.
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The
text presents a formal, objective tone, demonstrating academic English
conventions of usage and mechanics along with an MLA heading.
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The
text illustrates a limited awareness of formal tone, and demonstrates some
accuracy in academic English conventions of usage and mechanics.
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The
text illustrates a limited awareness or inconsistent tone, and demonstrates
inaccuracy in academic English conventions of usage and mechanics.
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Total Points: ___ / 20
Wednesday, March 7, 2018
Tuesday, March 6, 2018
Angels in America Review
The following is a link to a Google Slides presentation that details the main characters, the setting, a plot synopsis, and the themes we have talked about in class. It will be continually updated as we move through the play to reflect new things we learn about the characters, summaries of scenes after we discuss them, and other themes that come up.
Sunday, March 4, 2018
Missing Definitions
Act Two, Scene Three
Norman Conquest – the invasion of England by a French, Norman, and Breton army led by William the Conqueror
Bayeux Tapestry – a massive narrative tapestry depicting the events leading up to the Norman Conquest
Act Two, Scene Four
Walter Winchell – a famous gossip reporter in newspapers and on radio who was able to draw on a broad set of contacts to find potentially embarrassing stories about celebrities
Edgar Hoover – J. Edgar Hoover, the first director of the FBI
Joe McCarthy – the Senator responsible for leading a massive witch hunt against suspected Communists during the early days of the Cold War as part of the Red Scare
Norman Conquest – the invasion of England by a French, Norman, and Breton army led by William the Conqueror
Bayeux Tapestry – a massive narrative tapestry depicting the events leading up to the Norman Conquest
Act Two, Scene Four
Walter Winchell – a famous gossip reporter in newspapers and on radio who was able to draw on a broad set of contacts to find potentially embarrassing stories about celebrities
Edgar Hoover – J. Edgar Hoover, the first director of the FBI
Joe McCarthy – the Senator responsible for leading a massive witch hunt against suspected Communists during the early days of the Cold War as part of the Red Scare
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