Monday, June 11, 2018

college essays




2018-2019 Common Application Essay Prompts

1. Some students have a background, identity, interest, or talent that is so meaningful they believe their application would be incomplete without it. If this sounds like you, then please share your story. 

2. The lessons we take from obstacles we encounter can be fundamental to later success. Recount a time when you faced a challenge, setback, or failure. How did it affect you, and what did you learn from the experience? 

3. Reflect on a time when you questioned or challenged a belief or idea. What prompted your thinking? What was the outcome? 

4. Describe a problem you've solved or a problem you'd like to solve. It can be an intellectual challenge, a research query, an ethical dilemma - anything that is of personal importance, no matter the scale. Explain its significance to you and what steps you took or could be taken to identify a solution. 

5. Discuss an accomplishment, event, or realization that sparked a period of personal growth and a new understanding of yourself or others. 
Admissions offices at highly selective colleges and universities are now looking more closely at the “subjective” areas of the applicant including their leadership qualities, their intellectual curiosity, sustained involvement in activities, letters of recommendation, and of course, the personal essays.
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As with most good writing, there are several important factors that tend to draw the reader in more than others. And if you are submitting personal essays to any selective colleges and universities this year, you should definitely consider these factors as you sit down to write.
  1. Authentic Voice – What you have to say about your own life experiences, academic objectives, extracurricular activities, your community, your generation, your world, is what is most interesting to admissions readers. Speak from your heart, say what you mean and use your authentic voice in your writing. Trust that you are enough.
  2. Unique Quality – Colleges are looking for applicants who will add to the overall balance of their student communities. For example, a scholar athlete who juggles or a young scientist who loves poetry, are unique individual qualities that may offer an admissions team a fresh perspective on who you are. These qualities will help your readers remember you when they make admissions decisions. Conveying these qualities effectively in your essay will help you stand out. Come on, you know you’re special!
  3. Well-Edited – Each essay you write should be edited. Read your essay out loud to yourself at home and listen for content, for flow, for grammar, and for your “voice.” Then sit down and make your changes. The more you write, the more comfortable you will be with edits and letting go of the pieces that just don’t work for your essay.

1. Analyze the prompt thoroughly

Take a few minutes to think about the prompt. If needed, divide the prompt into phrases and look at each aspect. Why would the admissions officers ask this prompt? What do you think they want to know? How does that information relate to your ability to excel in college? Next, leave the prompt for a while and then return to it. Do you see something new? 
With so many other things in your schedule, this process can initially seem like a waste of time. However, it will save you a lot of time in the long run. If you later realize that you misread the prompt, you might need to start the writing process from scratch. 

2. Organize your writing

Like the first item, this isn’t something that should take a lot of time. This is another step that can initially seem completely skippable, but organizing your writing can save you considerable stress and frustration. A good writing plan can streamline or even eliminate the need to do any significant rewrites.
Brainstorm your anecdotes. Create a rough outline, including approximately how long each paragraph needs to be in order to complete the essay within the word count limits. Finally, figure out when you’re going to write. A paragraph a day? The whole thing next weekend? Creating a schedule, even if you need to modify it later, gets your brain in motion. 

3. Show instead of telling

When selecting anecdotes for your essay, pick vivid ones that you can tell succinctly. If a story would require 450 words of a 600 word essay, then you’re not going to have a lot of space to express self-reflection and analysis of the situation. Remember that the admissions officers are more interested in your perspective of what happened than the events themselves.
In addition, keep in mind that the admissions officers don’t know you personally, and that’s why they’re reading your essay. They want to get to know you, and the essay is your first introduction. Because of this, don’t tell them that you’re passionate about public service. Show them through strong examples. Help the admissions officers envision each example as if they’re experiencing the situation alongside you. 

4. Know your vocab

Your admissions essay should reflect command of college-level vocabulary. One of the most common mistakes that we see in essays is using advanced vocabulary almost correctly. Even among synonyms, there are shades of meaning. If you’re using a thesaurus, look online for examples of that word in action. Will it still fit into your sentence?
Avoid overdoing it. Advanced vocabulary should be the spice of the essay to give it flavor, so you’ll use plain language most of the time. Essays that are riddled with advanced vocabulary can seem pompous or even inadvertently comical to the reader. 

5. Write succinctly

Can you say what you need to say in fewer words? Can you substitute an advanced vocabulary word for a phrase? Writing concisely expresses to the admissions officers that can organize your thoughts and that you respect their time. 

6. Combine like ideas into more sophisticated sentence structures

The vast majority of the sentences in your essay should be compound, complex, or a combination of both (compound-complex sentences). Save simple sentences for instances when you need to create impact.

Wednesday, May 30, 2018

Wednesday, May 5 review and epilogue

“[Ethan] seemed a part of the mute melancholy landscape, an incarnation of its frozen woe, with all that was warm and sentient in him fast bound below the surface; . . . I simply felt that he lived in a depth of moral isolation too remote for casual access, and I had the sense that his loneliness was not merely the result of his personal plight, . . . but had in it, . . . the profound accumulated cold of many Starkfield winters” (Wharton 13). Sarah Bruckner

"Ethan seemed to be a part of the mute melancholy landscape."

Coming up: On Thursday, everyone will receive a grade report. You will be able to collect copies of missing work to get rid of zeros. On Friday, there is a period 3, but periods 6 and 9 English will not take place on the half day.  Period 3 will have the opportunity to work on missing material, whilst everyone else may at home. ANY MADE UP WORK IS DUE ON MONDAY. NOTHING WILL BE ACCEPTED AFTER THAT TIME.

In class: those who were absent yesterday's test will take theirs in the hall, whilst the rest of the class reviews / discusses the text.

We will then watch the last minutes of the film.

Of note: if you are curious about your grade from yesterday, please check.

chapter 9 9:36

epilogue smash-up 9:35

Monday, May 28, 2018

Tuesday, May 29 Frome content assessment

Image result for ethan frome

In class today: multiple choice assessment through chapter 8 of Ethan Frome.

Friday, May 25, 2018

Friday, May 25 Ethan Frome reading and response



Coming up: make sure you have read through chapter 9 of Ethan Frome by Tuesday, May 29. There will be a content assessment.
 In class: reading day. If you have been keeping up with the reading, you should have completed through chapter 4. Today is your opportunity to make progress through chapter 9.

After having completed chapters 4-9, please write a 2-3 synopsis of any significant events (plot development) or insights on a character that have occurred.  (Class handout / copy below).  If you do not have a copy, write out or send along, as you wish.





Thursday, May 24, 2018

Thursday, May 24 Ethan Frome




Characters: 


narrator
Harmon Gow
Mrs. Ned Hale (Ruth Varnum)
Ned Hale
Ethan Frome
Zenobia Frome
Mattie Silver






In class: today you should have read through chapter 3 (page 58)
               vocabulary quiz (handed out last Tuesday)
               written response through chapter 3  (class handout / copy below)
                    for Friday: read through chapter 4 (76)
                    for Tuesday: read through page 149 (chapter 9)
Note: on Tuesday, there will be a content quiz

Ethan Frome Vocabulary Words    quiz on Thursday, May 24 (another copy below)

In class: review and discussion of Prologue through chapter 2

Characters: 

narrator
Harmon Gow
Mrs. Ned Hale (Ruth Varnum)
Ned Hale
Ethan Frome
Zenobia Frome
Mattie Silver


Frome prologue

Ethan Frome Vocabulary Words    quiz on Thursday, May 24

1.  sardonic: adj. Scornfully or cynically mocking; sarcastic.

2.   colloquial: adj.  1. Characteristic of or appropriate to the spoken language or to writing that seeks
                            the effect of speech; informal.  2. Relating to conversation; conversational.

3.    innocuous: adj. 1. Having no adverse effect; harmless. 2. Not likely to offend or provoke to strong
                        emotion; insipid.

4.  reticent: adj. 1. Inclined to keep one's thoughts, feelings, and personal affairs to oneself;
                              Restrained or reserved in style. 3. Reluctant; unwilling.
5. poignantadj.  Keenly distressing to the mind or feelings: poignant anxiety; profoundly moving;  touching: a poignant memory.

6. wraith:  n. 1. An apparition of a living person that appears as a portent just before that person's
                            death. 2. The ghost of a dead person. 3. Something shadowy and insubstantial.

7. wistful:  adj. 1. Full of wishful yearning. 2. Pensively sad; melancholy.

8. undulationn. 1. A regular rising and falling or movement to alternating sides; movement in waves.

9. tenuous:  adj. 1. Long and thin; slender: tenuous strands. 2. Having a thin consistency; dilute;   
          having little substance; flimsy: a tenuous argument.

10. throng: n. 1. A large group of people gathered or crowded closely together; a multitude.
                throngs  v.tr.  1. To crowd into; fill: commuters thronging the subway platform.2. To press in  
                    to gather, press, or move in a throng.

11. vex:   (verb) 1. To annoy, as with petty importunities; bother. 2. To cause perplexity in; puzzle.

12. laden:  adj. 1. Weighed down with a load; heavy: "the warmish air, laden with the rains of those
               thousands of miles of western sea" Hilaire Belloc.  2. Oppressed; burdened: laden with grief.

13. preclude:  1. To make impossible, as by action taken in advance; prevent. 2. To exclude or prevent (someone) from a given condition or activity: Modesty precludes me from accepting the honor.

14. succumb: (verb) 1. To submit to an overpowering force or yield to an overwhelming desire; give up or give in. 2. To die.

15. foist:  (verb) 1. To pass off as genuine, valuable, or worthy: "I can usually tell whether a poet . . . is foisting off on us what he'd like to think is pure invention" J.D. Salinger.

    2. To impose (something or someone unwanted) upon another by coercion or trickery:They had extra work foisted on them because they couldn't say no to the boss. 3. To insert fraudulently or deceitfully: foisted unfair provisions into the contract.
Thursday, May 24
Name__________________________________ (the following is based upon having read through chapter 3.
Using your Ethan Frome text, respond to the following in a well-written paragraph of no fewer than five syntactically sophisticated sentences.
!. How are the personalities of Mattie and Zeena reflected in their actions? Weave in textual evidence as support.

_________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________

Wednesday, May 23, 2018

Wednesday, May 23 Ethan Frome...overview through chapter 2







coming up: vocabulary quiz  tomorrow (another copy below)
Homework: for Thursday: read through chapter 3 (page 58)
                    for Friday: read through chapter 4 (76)
                    for Tuesday: read through page 149 (chapter 9)
Note: on Tuesday, there will be a content quiz

Ethan Frome Vocabulary Words    quiz on Thursday, May 24 (another copy below)

In class: review and discussion of Prologue through chapter 2

Characters: 

narrator
Harmon Gow
Mrs. Ned Hale (Ruth Varnum)
Ned Hale
Ethan Frome
Zenobia Frome
Mattie Silver


Frome prologue

Ethan Frome Vocabulary Words    quiz on Thursday, May 24

1.  sardonic: adj. Scornfully or cynically mocking; sarcastic.

2.   colloquial: adj.  1. Characteristic of or appropriate to the spoken language or to writing that seeks
                            the effect of speech; informal.  2. Relating to conversation; conversational.

3.    innocuous: adj. 1. Having no adverse effect; harmless. 2. Not likely to offend or provoke to strong
                        emotion; insipid.

4.  reticent: adj. 1. Inclined to keep one's thoughts, feelings, and personal affairs to oneself;
                              Restrained or reserved in style. 3. Reluctant; unwilling.
5. poignantadj.  Keenly distressing to the mind or feelings: poignant anxiety; profoundly moving;  touching: a poignant memory.

6. wraith:  n. 1. An apparition of a living person that appears as a portent just before that person's
                            death. 2. The ghost of a dead person. 3. Something shadowy and insubstantial.

7. wistful:  adj. 1. Full of wishful yearning. 2. Pensively sad; melancholy.

8. undulationn. 1. A regular rising and falling or movement to alternating sides; movement in waves.

9. tenuous:  adj. 1. Long and thin; slender: tenuous strands. 2. Having a thin consistency; dilute;   
          having little substance; flimsy: a tenuous argument.

10. throng: n. 1. A large group of people gathered or crowded closely together; a multitude.
                throngs  v.tr.  1. To crowd into; fill: commuters thronging the subway platform.2. To press in  
                    to gather, press, or move in a throng.

11. vex:   (verb) 1. To annoy, as with petty importunities; bother. 2. To cause perplexity in; puzzle.

12. laden:  adj. 1. Weighed down with a load; heavy: "the warmish air, laden with the rains of those
               thousands of miles of western sea" Hilaire Belloc.  2. Oppressed; burdened: laden with grief.

13. preclude:  1. To make impossible, as by action taken in advance; prevent. 2. To exclude or prevent (someone) from a given condition or activity: Modesty precludes me from accepting the honor.

14. succumb: (verb) 1. To submit to an overpowering force or yield to an overwhelming desire; give up or give in. 2. To die.

15. foist:  (verb) 1. To pass off as genuine, valuable, or worthy: "I can usually tell whether a poet . . . is foisting off on us what he'd like to think is pure invention" J.D. Salinger.

    2. To impose (something or someone unwanted) upon another by coercion or trickery:They had extra work foisted on them because they couldn't say no to the boss. 3. To insert fraudulently or deceitfully: foisted unfair provisions into the contract.

Tuesday, May 22, 2018

Tuesday, May 22 Ethan Frome prologue and chapter 1 review




                                 Mendon collonaded town hall

Coming up: vocabulary quiz on Thursday, May 24 (handed out last Tuesday; another copy below)
  In class: background information on the literary movement of naturalism. (class handout / copy below) Due at the close of class, unless you receive extended time.

For Wednesday. Please have read through chapter 2 on page 49.
                   



Name_________________________________
Ethan Frome by Edith Wharton  background information on the literary movement of Naturalism. Column 1 lists qualities associated with Naturalism. Please respond to the query (new word) in column 2 that asks you to extend the idea presented in column 1. Please use complete sentences.  
Column 1                                                                            Column 2
1. The term Naturalism describes a type of literature that attempts to apply scientific principles of objectivity and detachment to its study of human beings.
What does it mean “to apply scientific principles of objectivity and detachment to human beings?”








2.  Naturalistic writers, since human beings are, in Emile Zola's phrase, "human beasts," characters can be studied through their relationships to their surroundings.

In what ways could human beings be described as “beasts?”






3. The Naturalist believed in studying human beings as though they were "products" that are to be studied impartially, without moralizing about their natures.
a. What does it mean to “moralize” a human being?






b. What advantage might a writer have in removing the idea of moralizing from a narrative?







4. Naturalistic writers believed that the laws of behind the forces that govern human lives might be studied and understood through the objective study of human beings.

If moralizing is removed from human nature, what might remain?
5. Naturalistic writers used a version of the scientific method to write their novels; they studied human beings governed by their instincts and passions as well as the ways in which the characters' lives were governed by forces of heredity and environment.
In Romanticism we looked at how instincts and passions impact a tale. Now heredity and environment are added into the mix.  Which set of forces do you think will dominate and why?










6. Naturalism is considered as a movement to be beyond Realism. Naturalism is based more on scientific studies.
Realism is writing about what is: warts and all. Social Science connection. What social movement (s) was taking place in the latter half of the 19th century whose reality when exposed would lead to social change?






7. Darwin's Theory of Evolution is a basis for the Naturalist writer. Natural selection and survival of the fittest help to depict the struggle against nature as a hopeless fight.

 So who invariably wins this battle? Why?



Ethan Frome Vocabulary Words    quiz on Thursday, May 24

1.  sardonic: adj. Scornfully or cynically mocking; sarcastic.

2.   colloquial: adj.  1. Characteristic of or appropriate to the spoken language or to writing that seeks
                            the effect of speech; informal.  2. Relating to conversation; conversational.

3.    innocuous: adj. 1. Having no adverse effect; harmless. 2. Not likely to offend or provoke to strong
                        emotion; insipid.

4.  reticent: adj. 1. Inclined to keep one's thoughts, feelings, and personal affairs to oneself;
                              Restrained or reserved in style. 3. Reluctant; unwilling.
5. poignantadj.  Keenly distressing to the mind or feelings: poignant anxiety; profoundly moving;  touching: a poignant memory.

6. wraith:  n. 1. An apparition of a living person that appears as a portent just before that person's
                            death. 2. The ghost of a dead person. 3. Something shadowy and insubstantial.

7. wistful:  adj. 1. Full of wishful yearning. 2. Pensively sad; melancholy.

8. undulationn. 1. A regular rising and falling or movement to alternating sides; movement in waves.

9. tenuous:  adj. 1. Long and thin; slender: tenuous strands. 2. Having a thin consistency; dilute;   
          having little substance; flimsy: a tenuous argument.

10. throng: n. 1. A large group of people gathered or crowded closely together; a multitude.
                throngs  v.tr.  1. To crowd into; fill: commuters thronging the subway platform.2. To press in  
                    to gather, press, or move in a throng.

11. vex:   (verb) 1. To annoy, as with petty importunities; bother. 2. To cause perplexity in; puzzle.

12. laden:  adj. 1. Weighed down with a load; heavy: "the warmish air, laden with the rains of those
               thousands of miles of western sea" Hilaire Belloc.  2. Oppressed; burdened: laden with grief.

13. preclude:  1. To make impossible, as by action taken in advance; prevent. 2. To exclude or prevent (someone) from a given condition or activity: Modesty precludes me from accepting the honor.

14. succumb: (verb) 1. To submit to an overpowering force or yield to an overwhelming desire; give up or give in. 2. To die.

15. foist:  (verb) 1. To pass off as genuine, valuable, or worthy: "I can usually tell whether a poet . . . is foisting off on us what he'd like to think is pure invention" J.D. Salinger.

    2. To impose (something or someone unwanted) upon another by coercion or trickery:They had extra work foisted on them because they couldn't say no to the boss. 3. To insert fraudulently or deceitfully: foisted unfair provisions into the contract.